To reach the small town on Penobscot Bay, we flew from New York to Portland, and our friends picked us up from the airport for a two-hour drive up the coast.

Belfast was incorporated as a town in the 1700s, but it started to prosper in the 19th century as a hub for maritime workers, the city's website says. For about 100 years, Belfast residents built wooden sailboats, operated steamships, and transported goods, from ice and apples to hay and fertilizer.

Then, in the 1980s, creatives flocked to the town, transforming it into an artists' oasis with galleries and warehouse studios.

The waterfront town has about 7,000 residents.

The architecture in Belfast combines traditional New England-style homes with old-world styles from the Italian and Greek Revival eras, the Boston Globe reported. This gave the town a European twist on the classic New England aesthetic.

My friends said Belfast gets tourists in the summer, but it didn't feel crowded. We never waited too long for a table at a restaurant, and I didn't see many large groups.

I saw more historic inns than traditional hotels, which could be because tourists visit for unique accommodations.

The inns looked like gigantic mansions, and seeing them up close made me wish I'd booked just one night in a place like the Jeweled Turret Inn. The bed and breakfast, decorated with antiques, is a 19th-century Victorian landmark on the National Register of Historic Places.

There's also the Alden House Inn, a Greek Revival building dating back to 1840. I spotted its porch filled with guests on a weekend afternoon and longed to hang out there.

Belfast is pedestrian-friendly, scoring 71 out of 100 on Walk Score.

From my friends' apartment, we reached hiking trails, the waterfront, and the downtown area — all on foot.

My friends also live steps away from a farmers market and the Belfast Armistice Bridge, which pedestrians use to cross the Passagassawakeag River.

My friends live less than 5 minutes from the Rail Trail that runs along the Passagassawakeag River.

I spent one day working remotely from Belfast, and we took a quick hike during my lunch break.

I was impressed by the hillside views and the landmasses in the distance, covered in rich green trees. It was an ideal place to refresh in the middle of a shift.

My friend told me one of the coolest things about Belfast is that there are so many local shops. There's no Walmart, Target, or Costco in town. The only brand-name stores I saw were Walgreens, CVS, and Dollar General.

The Press Herald reported that Maine towns are known for their small businesses. Belfast, in particular, has a plethora of locally owned retailers, from a general store and a DVD rental store to shops selling vintage dollhouses and handmade clothing and furniture.

We went to a farmers market selling local produce and foods during my trip, and my friends cooked up a feast.

We had a watermelon and feta salad, roasted duck, lobster mac and cheese, and potato salad with duck fat and herb-infused dressing: dill, parsley, and garlic scapes.

The ingredients tasted so fresh, as did the local pastries and bagels we got for breakfast.

Acadia National Park is just a 90-minute drive from Belfast. We took a day trip there on a Saturday, and I was surprised to find it wasn't as crowded as most national parks I've visited on weekends.

The coastal park, surrounded by islands, looked majestic in the hazy weather. We hiked through forests to the rocky coastline, where we went tide-pooling and found a massive cave. It was even more picturesque than the trails in Belfast, and it helped me see how the state of Maine inspired my favorite American writer, Stephen King.

My friends in Maine have a super sweet, active dog named Zeus. He accompanied us on nearly every adventure during our trip, from restaurants to the Rail Trail to Acadia, one of the most dog-friendly national parks in the US, according to the NPS.

Having Zeus with us made the trip so much goofier and more fun. It wouldn't have been the same without him.

Aside from being a unique town with so much to offer, Belfast would be an ideal destination for tourists looking to travel sustainably. Eco-travel experts have said that supporting local businesses and getting around without a car are responsible practices for the health of our planet.

During my next trip to Belfast, I'll spend more time browsing local shops, book a stay at a historic inn, and take more day trips to places like Portland. Plus, I'd love to see Acadia on a day with clear skies.

Placing too much furniture in a living room is a common design mistake. Poor spatial arrangements paired with large, clunky pieces just make a space feel crowded rather than cozy.

Instead of filling your living room with lots of furniture, be intentional about the items you select.

Focus on curating instead of collecting, seeking out essential pieces that are unique and functional. This will help you maintain a more open floor plan.

I find that many people settle for bland, uninspiring rugs that fail to add color or flavor to a space.

Since rugs make such a big visual statement, go for something exciting. Try out colorful, patterned rugs to jazz up your living room and infuse it with your personality.

A beautiful accent chair can complement and enhance a living room.

However, not all spaces have a layout and ideal seating plan that allows for one. Forcing a bulky chair into a space that doesn't fit it properly can create unnecessary clutter.

And if you find yourself needing multiple accent chairs to make a space functional, consider swapping them for a larger, more comfortable sofa.

Visible cords and wires can distract from a well-decorated space and make it feel cluttered.

Fortunately, there are many creative ways to hide them. For example, you can feed them through your TV console or snake them behind baseboard accessories.

You can even purchase concealing cord caps and paint them to match your wall color.

Instead of keeping the accent pillows that came with your couch or sticking with basic designs, consider upgrading.

After all, curated accent pillows are a great way to add more personality and substance to your living area.

I suggest swapping out accent pillows every six months to a year to spruce up your living room.

Instead of completely repurchasing new pillows each time, opt for covers that are easy to change and low-commitment (especially if you want to try trendy textures, colors, and patterns).

This story was originally published on May 10, 2021, and most recently updated on March 24, 2026.

Taylor, who was nominated for best supporting actress for "One Battle After Another," donned a white Chanel gown for the after-party.

The front of the slip-style, floor-length dress was simple, with a V-neckline and ruched bodice, while the plunging back was anything but. The straps were adorned with gold thread, and stars were embroidered on each strap. It was a celebratory and sexy look.

She hit the carpet in a black, sleeveless romper and semi-sheer tights. The Dior piece had a cowl neckline, a small mesh cutout across the chest, and extra-short shorts.

It was so simple that it didn't match the actor's standout Tiffany & Co. diamond necklace or her bow-shaped hat.

The "Sinners" star celebrated winning his first Oscar in a brown suit, which included a double-breasted jacket and wide-legged trousers.

Three brooches on his lapel and brown sunglasses made the outfit pop.

Her golden Stella McCartney gown, which was sleeveless and form-fitting, looked glamorous on the actor.

Unfortunately, it was lined with thick brown faux fur along its hem, which contrasted with the glimmering material and distracted from the overall look.

Jenner's Chanel gown hugged her figure. It had a scooped neckline and spaghetti straps, and sparkly embellishments covered the dress from head to toe. Larger embellishments on the neckline and waistline added even more drama.

She paired the gown with Tiffany & Co. jewelry and Gianvito Rossi shoes. It was simultaneously effortless and stylish.

The supermodel arrived at the Vanity Fair party wearing a yellow gown designed by Chrome Hearts. It had a plunging halter neckline and hip-high slits, all covered in embroidered mesh.

The latter detailing didn't work for her. A classic yellow gown without the slits and mesh would have looked more streamlined and elegant.

Tamara Ralph designed Ashley's glittering, floor-length gown. The standout feature of the form-fitting gown was its bejeweled, asymmetrical neckline, seemingly inspired by a peacock feather.

Aquazzura shoes and Buccellati jewelry completed Ashley's look.

Her Gucci look, straight off the runway, featured a high neckline, long sleeves, a floor-length skirt, and all-over sparkles.

On another celebrity, it might have looked striking. On Kardashian, though, it was far too simple. It won't be remembered among her best Oscar-night outfits.

Goth's black Dior gown looked simple from the front, with an arched, strapless neckline and tea-length skirt.

However, the back revealed a short, white skirt made of layers of embroidered, fluffy tulle for a fashion-forward flair.

Many celebrities wore white at the Oscars and the Vanity Fair party. So technically, Vergara was right on trend with her white Zuhair Murad halter gown.

The details of her dress, though, looked more fitting for a bride than a red-carpet star. It had all-over crystals, a diamond-shaped cutout, and flowing white fabric that hung from her shoulders, resembling a veil.

Harris Reed designed the avant-garde gown for the "Marty Supreme" actor.

Voluminous, arched sleeves with tassels sat on her shoulders, giving way to a black bodice with a large cutout in the center of her chest. The rest of the bodice was leopard print, while the skirt was made of layers of multicolored fabric trimmed with the same tassels that sat on her shoulders.

The contrasting elements felt cohesive on A'Zion. She paired the bold dress with Pandora jewelry.

Rita Ora is known for her bold fashion, which usually works for her. At the Vanity Fair party, though, it was tough to focus on a single element of her Tamara Ralph outfit.

She wore a floral embroidered gown that was sheer from her shoulders to her hips. That's where a satin skirt wrapped around her legs and extended into a long train. She also wore a massive feathered hat.

Ditching the latter accessory might have let the dramatic gown shine more.

The "Heated Rivalry" stars both wore sheer, black shirts to the Vanity Fair Oscar party, walking the red carpet together in their matching looks.

Balenciaga designed Williams' sleeveless, high-neck shirt, which billowed slightly and formed a floor-length train. He paired the bold top with black trousers and shoes.

Storrie's Saint Laurent top was more form-fitting, with a high neckline and long sleeves. He also wore black trousers and shoes, but he carried a brown stole and wore a bold Tiffany & Co. choker for added drama.

He wore a gray suit comprising tailored trousers, a white button-up shirt, and a blazer with satin lapels and coattails. In place of a tie, he wore a silver neck scarf with fringe and a small bow.

Though the outfit was eye-catching, it looked a bit like a historical costume. A cropped jacket and a flat neck scarf could have made the outfit sharper.

Designed by Celia Kritharioti, the halter neckline of Union's silver gown plunged to nearly her navel, while the back was completely open. She played up the sparkles in the gown's fabric with Tiffany & Co. jewelry, including a bold pendant that sat on her chest.

Union looked glamorous and sexy for Vanity Fair's event.

She arrived at the party in a black Alexander McQueen design. It had a halter top with a deep V-neckline, shining fabric that hugged her body, and a feathered skirt and train.

Though the dark color looked strong on Jenner, its design was a bit too simple.

It also had an odd triangular cutout at the hip, which made the dress appear unfinished.

Domingo's Jacquemus suit put a fun twist on a pinstripe look, as the stripes were silver instead of white. His collar was popped on one side and folded over on the other, offering an asymmetrical look.

Domingo brought even more glamour to his outfit with a brooch and jewelry from Boucheron.

Palmer walked the red carpet in a purple, velvet Gucci set. The long-sleeve, high-neck top was actually a bodysuit, and the low-waisted, floor-length skirt revealed peeks at Palmer's hips.

The outfit had some cool elements, but it ended up looking pretty one-note on Palmer because of the heavy fabric. A more interesting fabric or a different neckline may have brought more dimension to the look.

The longtime couple walked the Vanity Fair red carpet together in beautiful black-and-white ensembles.

Waterhouse's two-piece from Tamara Ralph featured a backless, metallic top that looked like peacock feathers curving around her body. The high-waisted skirt was fitted, and a floor-length, sheer cape trailed behind Waterhouse. She wore Stuart Weitzman shoes and Messika jewelry.

Pattinson's tuxedo suit was pretty simple, but he made it fun by wearing a brooch on his neck instead of a tie.

Louis Vuitton designed the Olympic champion's black dress, which was adorned with gray and black textured embellishments.

The dress was cool, and it was fun to see Liu wear it with black tights and pointed-toe heels. However, the garment's high neckline and boxy sleeves looked ill-fitting on Liu's small frame. A dress with a softer shape would have worked better for Liu.

Louis Vuitton designed Mosaku's lilac ensemble for the Vanity Fair party.

The strapless dress was embroidered with a floral pattern, which she paired with a floor-length train made of layers of purple fabric that looked like flower petals.

Mosaku was nominated for best supporting actress for "Sinners" at the Oscars.

Sánchez Bezos went vintage for the Vanity Fair party, wearing a black John Galliano gown from 1995. The strapless piece had a V-shaped peplum on the waistline, and the slit in the center of the floor-length skirt mirrored its shape.

She leaned into the all-black look with sheer, black tights and Christian Louboutin heels. She also added jewelry by Lorraine Schwartz and Lisa Klein to the ensemble.

While Sánchez Bezos was among the best-dressed of the night, her husband was among the worst. Bezos' black tuxedo was fine for the occasion, but there wasn't anything interesting about it.

She walked the red carpet in a white Givenchy ball gown fit for royalty. The strapless design featured metallic wisteria petals across its bodice and along the bottom of its skirt, which added an elegant sparkle to the look.

Fanning, nominated for best supporting actress for "Sentimental Value," also wore a diamond Cartier choker necklace from 1903. It was shaped like leaves.

The "Hamnet" star, nominated for best actress in a leading role, chose a two-toned look from Chanel.

It had a strapless, off-the-shoulder bodice made of red satin and a flowing, floor-length skirt in baby pink. The gown also had a short train. She completed the elegant ensemble with a diamond tennis necklace and sparkling earrings.

Alwyn, who also starred in "Hamnet," looked sharp at the 2026 Oscars.

He wore a matte-black blazer, matching trousers, and a classic white button-up top with a statement collar. For accessories, he chose a diamond brooch, a silver watch, and a deconstructed satin bow tie.

Moore stunned on the Oscars red carpet in a dramatic, strapless gown. It had long black feathers across the chest, smaller green ones on its bodice, and more feathers decorating its floor-length skirt.

The actor, who is presenting at the show this year, added earrings and a sparkling bracelet to the look.

A presenter at the 2026 Oscars, Culkin walked the red carpet wearing a chocolate-brown suit jacket with black trousers and a matching button-up top.

He also wore flashy gold accessories, including a statement Hublot Classic Fusion Chronograph watch and a glittering brooch.

The "KPop Demon Hunters" voice actor walked the red carpet in a strapless, see-through gown made from sparkling black lace.

Designed by Miss Sohee, the floor-length design hugged her body and was complete with ruffled green arm bands that reached the floor. The latter were decorated with embroidered images of birds and flowers.

A thick diamond choker sat on her neck, and she wore Louboutin shoes.

The musician, who is performing at the 2026 Oscars, looked dapper in a black-and-white Campillo suit and Christian Louboutin shoes. His suit included a matte-black jacket, a matching vest, and a white high-neck blouse.

He also sported multiple diamond and pearl accessories, including two brooches, earrings, and tassels hanging from his trouser waistband.

The statement piece, though, was his $91,600 white-gold Chopard L'Heure du Diamant watch.

The "Sinners" star stood out in red on the Oscars red carpet. Her strapless gown was made of satin and featured dramatic fabric swirls that created its 3D bodice.

Those same swirls also extended into a long train, which complemented the floor-length gown's lace-up skirt.

The "One Battle After Another" actor looked like a princess at the Oscars. She wore a sleeveless, lilac gown with a cowl neckline and a ruffled skirt. It was custom-made for her by Louis Vuitton.

Infiniti completed the look with a multicolored De Beers choker.

Byrne arrived on the red carpet in a strapless Dior mermaid gown. It was crafted from opaque black fabric and embellished with beaded floral designs. Her jewelry, a golden necklace shaped like a flower, matched.

She was nominated at this year's Oscars for best actress in a leading role after starring in "If I Had Legs I'd Kick You."

Pickford wore a bedazzled dress, a large diamond bangle, and a few strings of pearls when she won for "Coquette."

There were actually two Academy Awards in 1930; one in April and then another in November.

Shearer wore a jacket with fur-lined sleeves over her dress when she won the Oscar for her role in "The Divorce."

She finished her outfit with red lipstick, wavy hair, and several pieces of dainty jewelry.

Dressler received the Oscar for her part in "Min and Bill." She wore a dark shift dress and a long necklace.

Hayes wore a classic black dress paired with a pearl necklace and gloves to win best actress for her performance in "The Sin of Madelon Claudet."

Colbert won best actress for "It Happened One Night." She wore a gray suit with a large flower pinned to the lapel and a black hat.

Davis wore a patterned ensemble when she took home the award for best actress for her work in "Dangerous."

She was so convinced that she wouldn't win the Oscar that she wore "an old costume" to the ceremony, Harper's Bazaar reported.

Rainer wore an elegant white coat and styled her hair in an updo to win the Oscar for her portrayal of Anna Held in "The Great Ziegfeld."

Yes, Rainer won back-to-back Academy Awards. Her second win came for her performance as O-Lan in "The Good Earth." For her second win, she wore a high-necked gown with bell sleeves.

Bette Davis won her second best actress Oscar for her role in "Jezebel." She wore a black gown with a cloud-like collar embellishment.

Leigh wore a patterned dress while accepting the Oscar for playing Scarlett O'Hara in "Gone with the Wind." She completed her outfit with a single pendant, dark lipstick, curled hair, and tons of mascara.

Rogers accepted the Oscar at the 13th annual Academy Awards for "Kitty Foyle" in a brown dress with lace details.

In 1921, attendees were advised to wear "muted tones" because of the ongoing war, The Telegraph reported.

Fontaine won best actress for "Suspicion." She wore a lacy black dress, which she paired with a matching hat and several pearl necklaces.

Jones (second from left) won her Oscar for "The Song of Bernadette." She wore a unique dark gown with white, puffy sleeves and a flower embellishment at the collar.

Bergman wore a dark skirt and blouse when she won the Oscar for her role in "Gaslight." The star finished her outfit by sweeping her hair away from her face.

De Havilland took home the gold for her role in "To Each His Own."

The actor wore a strapless floral gown, complemented by large curls and a pearl necklace.

Young wore a green satin gown with matching gloves to accept the award for "The Farmer's Daughter." Her tiered dress had plenty of ruffles.

Wyman kissed her best actress Oscar for her role in "Johnny Belinda." She wore a white gown with an embellished collar.

De Havilland (second from left) embodied '50s style when she accepted the Oscar for her role in "The Heiress." The actor paired her flower-embellished gown with matching gloves.

Booth won best actress at the 25th Academy Awards for her performance in "Come Back, Little Sheba" in a patterned, long-sleeve dress with matching gloves.

This ceremony was held simultaneously in Hollywood and New York City, and was also the first to be televised.

Hepburn wore a belted Givenchy dress as she accepted the award for her performance in "Roman Holiday." She finished the look with classic eyeliner and lipstick.

Kelly accepted the award for her role in "The Country Girl." The future princess of Monaco topped off her pale-green ensemble with elbow-length gloves, dainty earrings, and an updo.

Woodward, Oscar winner and wife of Paul Newman, accepted her award for "The Three Faces of Eve" in a strapless gown embellished with sewn-on flowers. She kept her hair and makeup simple, allowing her outfit to stand out.

Hayward wore a black dress to take home the Oscar for "I Want to Live!" She also sported a voluminous blowout, white gloves, and red lipstick.

Signoret won the Oscar for "Room at the Top," wearing an off-the-shoulder black dress.

Taylor went floral in a Christian Dior gown to accept her award for "Butterfield 8." Her high-volume hair and white gloves added some serious glamour to her outfit.

Julie Andrews hugged her Oscar for "Mary Poppins" in a pale-yellow gown. The "My Fair Lady" actor topped off her simple dress with a statement necklace and gloves.

Christie wore a shiny gold dress to match the Oscar she won for "Darling." She finished her outfit with a feathery blowout.

Streisand didn't realize her Arnold Scaasi pantsuit was see-through under the lights as she accepted the Academy Award for "Funny Girl." She finished her sequined pantsuit with a sleek bob and lots of eyeliner.

This year featured a rare tie: Streisand shared her award with Katharine Hepburn for "The Lion in Winter," but Hepburn famously attended the Academy Awards only once, to present.

Fonda accepted the Oscar for "Klute" in a black Yves Saint Laurent suit. She parted her sleek, shoulder-length hair to the side to complete her mod ensemble.

Minnelli shone in a bright-yellow Halston dress to accept the award for her role in "Cabaret." She paired her outfit with a colorful choker and a matching bracelet.

Jack Nicholson and Fletcher posed together after their Oscar wins for "One Flew Over the Cuckoo's Nest." Fletcher wore a delicate Champagne-colored gown by Alfred Fiandaca.

Dunaway wore a black Geoffrey Beene dress with a rope belt to accept her award for "Network." She finished her dark outfit with several pieces of gold jewelry.

Keaton accepted the award for "Annie Hall" in a unique Ruth Morley suit. She went for a muted color palette with her layered outfit.

Fonda wore a gorgeous James Reva gown to accept her trophy for "Coming Home." The two-time winner embraced the trends of the '70s in a flowy floral dress.

Field embodied spring in a white Bob Mackie dress with sheer floral cover as she accepted the award for "Norma Rae." She added to the look with lots of eyeliner and teased, voluminous hair.

Spacek took the award for "Coal Miner's Daughter" in a black jumpsuit and kept the rest of her look simple.

Streep won the Oscar for "Sophie's Choice" in a gold Christian Leigh dress while she was pregnant with her second daughter, Mamie (familiar to fans of "We Were Liars"). She finished her outfit with a pink-brown shade of lipstick and curled hair.

MacLaine wore a Fabrice pale-pink suit when she won for "Terms of Endearment." The suit was embellished with an intricate embroidered pattern.

Field cried out her famous, "You like me! You really like me!" in a strapless black dress as she won for "Places in the Heart," her second win in five years. She finished off her outfit with a necklace that looked like a bow.

Page, who won the Oscar for her work in "The Trip to Bountiful," layered a deep-purple velvet cape over her dress. She completed her outfit with chandelier earrings and a warm shade of lipstick.

Matlin paired her pink dress with a floral headpiece when she won for her role in "Children of a Lesser God." She paired her mixed-material gown with peachy lipstick.

Cher famously wore a sheer Bob Mackie ensemble to accept the award for "Moonstruck." From her headdress to her sandals, the star sparkled.

Foster wore a light-blue gown when she took home the Oscar for her role in "The Accused." She kept her hair and makeup simple, letting the ruched gown speak for itself.

Tandy sparkled in a two-piece getup by Giorgio Armani as she accepted the award for her performance in "Driving Miss Daisy." She finished her outfit with a pair of statement earrings.

Bates wore a black gown with shoulder pads to accept her award for "Misery." Her earrings matched the glitzy details on her dress.

Foster took home the gold statue again for her role in "The Silence of the Lambs." This time, she opted for a cream Armani jacket and paisley crystal-encrusted trousers, and went old school with matching gloves. Foster also wore a red pin on her lapel for HIV/AIDS awareness.

Thompson wore an emerald Caroline Charles jumpsuit when she won for "Howards End." She completed her look with red lipstick and curled ringlets.

Hunter wore a black and gray Vera Wang dress with a hint of sparkle when she won for "The Piano." She matched her earrings and bracelet to the glimmering details on her dress.

Lange wore Calvin Klein when she won the award for "Blue Sky." She added a touch of color to her dark, mesh-paneled gown with her bright lipstick.

Sarandon wore a bronze Dolce & Gabbana gown when she was recognized for "Dead Man Walking." She finished off her outfit with tousled hair.

McDormand wore a simple blue dress when she won for "Fargo." She kept her accessories minimal, opting for just one ring and a pair of earrings, a style she still goes by to this day.

Hunt stunned in a strapless blue dress by Tom Ford for Gucci when she won for "As Good as It Gets." She finished off her outfit with a matching wrap, frosty makeup, and a diamond bracelet.

Paltrow wore a baby-pink Ralph Lauren princess gown when she took home the Academy Award for "Shakespeare in Love," one of the most iconic Oscar looks of all time. She topped off her dress with a sheer, tulle wrap, a statement necklace, bright-pink lipstick, and a touch of blush.

Swank wore a strapless green Randolph Duke dress when she accepted the award for "Boys Don't Cry." She glammed up her dress with a dazzling statement necklace.

Roberts wore a black Valentino gown with white accents when she won for "Erin Brockovich."

Berry wore one of the most memorable Oscars dresses when she accepted her award for "Monster's Ball" in a floor-sweeping Elie Saab gown. Her dress had a mesh, floral-embroidered top and a contrasting satin skirt.

Kidman accepted her Oscar for "The Hours" in a black Jean Paul Gaultier dress that had an unexpected, edgy neckline.

Theron rocked a glittering Gucci dress when she won for "Monster." The actor looked very old Hollywood with her hair styled in glamorous waves.

Swank accepted her Oscar for "Million Dollar Baby" in a fully backless Guy Laroche dress. She completed the look with shimmering makeup and a sleek hairdo.

Witherspoon looked radiant in a Christian Dior gown when she won for her performance in "Walk the Line." She completed her outfit with a smoky eye, a simple hairdo, and earrings that matched her dress.

Mirren wore a Christian Lacroix gown when she accepted the Oscar for "The Queen." It looks like she layered a patterned tulle skirt over her lacy, embellished gown.

Cotillard took home the Oscar for "La Vie En Rose." The actor looked glamorous, with sleek curls and a mermaid-inspired dress by Jean Paul Gaultier.

Winslet took home the Oscar for "The Reader" in a one-shouldered, blue-gray Yves Saint Laurent gown. Winslet complemented her two-toned dress with a smoky eye.

Bullock wore a silver Marchesa dress as she accepted the award for her role in "The Blindside." The actor brought some color to her look with bright-pink lipstick.

Portman wore an off-the-shoulder Rodarte dress while accepting the award for "Black Swan." Portman's shoes and earrings perfectly matched her dress. Fun fact: She was four months pregnant at the time!

Streep matched her Oscar for "The Iron Lady" in a gold Lanvin dress. From her accessories to her makeup, she appeared to be dripping in gold.

Lawrence, who won for "Silver Linings Playbook," may have tripped on her way to the stage, but she still looked flawless in this white Christian Dior gown.

Blanchett wore an embellished Armani Privé gown when she took home the award for "Blue Jasmine." She completed her look with delicate curls and large sunburst earrings.

Moore wore a strapless Chanel gown when she accepted the award for "Still Alice." The custom, detailed gown took over 900 hours to make, according to People.

Larson accepted the Oscar for "Room" in a belted, royal-blue Gucci dress. The intricate gown was in the works for two months, per ABC.

Stone wore a vintage-inspired gown when she won the award for her performance in "La La Land." She finished her golden-toned dress with big waves and classic red lipstick.

McDormand won the award for her role in "Three Billboards Outside Ebbing, Missouri," wearing a black dress with a gold pattern. During her acceptance speech, McDormand asked every female nominee in the audience to stand and discussed the importance of inclusion riders.

Colman wore an emerald-green Prada gown that took months to create as she accepted the award for "The Favourite." Colman's gown was draped with a silk organza cape, tied into a giant bow at the back, and covered in Swarovski crystal flowers.

Zellweger won her second Oscar — her first best actress Oscar, for "Judy" — in a custom white Armani Privé gown.

Though tough to see, according to Entertainment Tonight, the gown was covered in beads with pale pink and blue thread.

McDormand wore a navy-blue gown with a feathered bottom and feathered sleeves to win her third acting Oscar for "Nomadland."

With her win, McDormand tied Meryl Streep and Ingrid Bergman with the most Oscar wins for acting. Katharine Hepburn holds the record with four best actress statues.

Chastain dazzled in a sparkly ombré Gucci gown that transitioned from rose gold to lavender as she accepted her first Academy Award for "The Eyes of Tammy Faye."

Feathers accented the angelic Dior Couture gown. The "Everything Everywhere All At Once" star paired the look with a Moussaieff diamond headband and earrings, along with a Richard Mille watch.

Stone accepted her second best actress Oscar (this one for "Poor Things") in a mint-green peplum gown designed by Louis Vuitton, but she made sure to point out during her speech that the zipper had broken at some point during the ceremony.

She blamed Ryan Gosling's spirited performance of "I'm Just Ken."

Madison, who won for "Anora," went for an Old Hollywood look at the 2025 Oscars, wearing a two-toned pink and black satin dress with a bow. It was designed by Dior.